Catching Fire Chapter 27

Catching Fire Part 3: The Enemy

Chapter 27

Everything seems to erupt at once. The earth explodes into showers of dirt and plant matter. Trees burst into flames. Even the sky fills with brightly colored blossoms of light. I can't think why the sky's being bombed until I realize the Gamemakers are shooting off fireworks up there, while the real destruction occurs on the ground. Just in case it's not enough fun watching the obliteration of the arena and the remaining tributes. Or perhaps to illuminate our gory ends.

Will they let anyone survive? Will there be a victor of the Seventy-fifth Hunger Games?

Maybe not. After all, what is this Quarter Quell but ... what was it President Snow read from the card?

“... a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol...”

Not even the strongest of the strong will triumph. Perhaps they never intended to have a victor in these Games at all. Or perhaps my final act of rebellion forced their hand.

I'm sorry, Peeta, I think. I'm sorry I couldn't save you. Save him? More likely I stole his last chance at life, condemned him, by destroying the force field. Maybe, if we had all played by the rules, they might have let him live.

The hovercraft materializes above me without warning. If it was quiet, and a mockingjay perched close at hand, I would have heard the jungle go silent and then the bird's call that precedes the appearance of the Capitol's aircraft. But my ears could never make out anything so delicate in this bombardment.

The claw drops from the underside until it's directly overhead. The metal talons slide under me. I want to scream, run, smash my way out of it but I'm frozen, helpless to do anything but fervently hope I'll die before I reach the shadowy figures awaiting me above.

They have not spared my life to crown me victor but to make my death as slow and public as possible.

My worst fears are confirmed when the face that greets me inside the hovercraft belongs to Plutarch Heavensbee, Head Gamemaker. What a mess I have made of his beautiful Games with the clever ticking clock and the field of victors. He will suffer for his failure, probably lose his life, but not before he sees me punished. His hand reaches for me, I think to strike me, but he does something worse. With his thumb and his forefinger, he slides my eyelids shut, sentencing me to the vulnerability of darkness. They can do anything to me now and I will not even see it coming.

My heart pounds so hard the blood begins to stream from beneath my soaked moss bandage. My thoughts grow foggy. Possibly I can bleed to death before they can revive me after all. In my mind, I whisper a thank-you to Johanna Mason for the excellent wound she inflicted as I black out.

When I swim back into semi consciousness, I can feel I'm lying on a padded table. There's the pinching sensation of tubes in my left arm. They are trying to keep me alive because, if I slide quietly, privately into death, it will be a victory. I'm still largely unable to move, open my eyelids, raise my head. But my right arm has regained a little motion. It flops across my body, feeling like a flipper, no, something less animated, like a club. I have no real motor coordination, no proof that I even still have fingers. Yet I manage to swing my arm around until I rip the tubes out. A beeping goes off but I can't stay awake to find out who it will summon.

The next time I surface, my hands are tied down to the table, the tubes back in my arm. I can open my eyes and lift my head slightly, though. I'm in a large room with low ceilings and a silvery light. There are two rows of beds facing each other. I can hear the breathing of what I assume are my fellow victors. Directly across from me I see Beetee with about ten different machines hooked up to him. Just let us die! I scream in my mind. I slam my head back hard on the table and go out again.

When I finally, truly, wake up, the restraints are gone. I raise my hand and find I have fingers that can move at my command again. I push myself to a sitting position and hold on to the padded table until the room settles into focus. My left arm is bandaged but the tubes dangle off stands by the bed.

I'm alone except for Beetee, who still lies in front of me, being sustained by his army of machines. Where are the others, then? Peeta, Finnick, Enobaria, and...and...one more, right?

Either Johanna or Chaff or Brutus was still alive when the bombs began. I'm sure they'll want to make an example of us all. But where have they taken them? Moved them from hospital to prison?

“Peeta...” I whisper. I so wanted to protect him. Am still resolved to. Since I have failed to keep him safe in life, I must find him, kill him now before the Capitol gets to choose the agonizing means of his death. I slide my legs off the table and look around for a weapon.

There are a few syringes sealed in sterile plastic on a table near Beetee's bed. Perfect. All I'll need is air and a clear shot at one of his veins.

I pause for a moment, consider killing Beetee. But if I do, the monitors will start beeping and I'll be caught before I get to Peeta. I make a silent promise to return and finish him off if I can.

I'm naked except for a thin nightgown, so I slip the syringe under the bandage that covers the wound on my arm. There are no guards at the door. No doubt I'm miles beneath the Training Center or in some Capitol stronghold, and the possibility of my escape is nonexistent. It doesn't matter. I'm not escaping, just finishing a job.

I creep down a narrow hallway to a metal door that stands slightly ajar. Someone is behind it. I take out the syringe and grip it in my hand. Flattening myself against the wall, I listen to the voices inside.

“Communications are down in Seven, Ten, and Twelve. But Eleven has control of transportation now, so there's at least a hope of them getting some food out.”

Plutarch Heavensbee. I think. Although I've only really spoken with him once. A hoarse voice asks a question.

“No, I'm sorry. There's no way I can get you to Four. But I've given special orders for her retrieval if possible. It's the best I can do, Finnick.”

Finnick. My mind struggles to make sense of the conversation, of the fact that it's taking place between Plutarch Heavensbee and Finnick. Is he so near and dear to the Capitol that he'll be excused his crimes? Or did he really have no idea what Beetee intended? He croaks out something else. Something heavy with despair.

“Don't be stupid. That's the worst thing you could do. Get her killed for sure. As long as you're alive, they'll keep her alive for bait,” says Haymitch.

Says Haymitch! I bang through the door and stumble into the room. Haymitch, Plutarch, and a very beat-up Finnick sit around a table laid with a meal no one is eating. Daylight streams in the curved windows, and in the distance I see the top of a forest of trees. We are flying.

“Done knocking yourself out, sweetheart?” says Haymitch, the annoyance clear in his voice. But as I careen forward he steps up and catches my wrists, steadying me. He looks at my hand. “So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.” I stare at him uncomprehendingly. “Drop it.” I feel the pressure increase on my right wrist until my hand is forced to open and I release the syringe. He settles me in a chair next to Finnick.

Plutarch puts a bowl of broth in front of me. A roll. Slips a spoon into my hand. “Eat,” he says in a much kinder voice than Haymitch used.

Haymitch sits directly in front of me. “Katniss, I'm going to explain what happened. I don't want you to ask any questions until I'm through. Do you understand?”

I nod numbly. And this is what he tells me.

There was a plan to break us out of the arena from the moment the Quell was announced.

The victor tributes from 3, 4, 6, 7, 8, and 11 had varying degrees of knowledge about it.

Plutarch Heavensbee has been, for several years, part of an undercover group aiming to overthrow the Capitol. He made sure the wire was among the weapons. Beetee was in charge of blowing a hole in the force field. The bread we received in the arena was code for the time of the rescue. The district where the bread originated indicated the day. Three. The number of rolls the hour. Twenty-four. The hovercraft belongs to District 13. Bonnie and Twill, the women I met in the woods from 8, were right about its existence and its defense capabilities.

We are currently on a very roundabout journey to District 13. Meanwhile, most of the districts in Panem are in full-scale rebellion.

Haymitch stops to see if I am following. Or maybe he is done for the moment.

It's an awful lot to take in, this elaborate plan in which I was a piece, just as I was meant to be a piece in the Hunger Games. Used without consent, without knowledge. At least in the Hunger Games, I knew I was being played with.

My supposed friends have been a lot more secretive.

“You didn't tell me.” My voice is as ragged as Finnick's.

“Neither you nor Peeta were told. We couldn't risk it,” says Plutarch. “I was even worried you might mention my indiscretion with the watch during the Games.” He pulls out his pocket watch and runs his thumb across the crystal, lighting up the mockingjay. “Of course, when I showed you this, I was merely tipping you off about the arena. As a mentor. I thought it might be a first step toward gaining your trust. I never dreamed you'd be a tribute again.”

“I still don't understand why Peeta and I weren't let in on the plan,” I say.

“Because once the force field blew, you'd be the first ones they'd try to capture, and the less you knew, the better,” says Haymitch.

“The first ones? Why?” I say, trying to hang on to the train of thought.

“For the same reason the rest of us agreed to die to keep you alive,” says Finnick.

“No, Johanna tried to kill me,” I say.

“Johanna knocked you out to cut the tracker from your arm and lead Brutus and Enobaria away from you,” says Haymitch.

“What?” My head aches so and I want them to stop talking in circles. “I don't know what you're—”

“We had to save you because you're the mockingjay, Katniss,” says Plutarch. “While you live, the revolution lives.”

The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay.

The one that survived despite the Capitol's plans. The symbol of the rebellion.

It's what I suspected in the woods when I found Bonnie and Twill escaping. Though I never really understood the magnitude. But then, I wasn't meant to understand. I think of Haymitch's sneering at my plans to flee District 12, start my own uprising, even the very notion that District 13 could exist. Subterfuges and deceptions. And if he could do that, behind his mask of sarcasm and drunkenness, so convincingly and for so long, what else has he lied about? I know what else.

“Peeta,” I whisper, my heart sinking.

“The others kept Peeta alive because if he died, we knew there'd be no keeping you in an alliance,” says Haymitch. “And we couldn't risk leaving you unprotected.” His words are matter-of-fact, his expression unchanged, but he can't hide the tinge of gray that colors his face.

“Where is Peeta?” I hiss at him.

“He was picked up by the Capitol along with Johanna and Enobaria,” says Haymitch. And finally he has the decency to drop his gaze.

Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do, especially if the target is unprepared. I lunge across the table and rake mine down Haymitch's face, causing blood to flow and damage to one eye. Then we are both screaming terrible, terrible things at each other, and Finnick is trying to drag me out, and I know it's all Haymitch can do not to rip me apart, but I'm the mockingjay. I'm the mockingjay and it's too hard keeping me alive as it is.

Other hands help Finnick and I'm back on my table, my body restrained, my wrists tied down, so I slam my head in fury again and again against the table. A needle pokes my arm and my head hurts so badly I stop fighting and simply wail in a horrible, dying-animal way, until my voice gives out.

The drug causes sedation, not sleep, so I am trapped in fuzzy, dully aching misery for what seems like always. They reinsert their tubes and talk to me in soothing voices that never reach me. All I can think of is Peeta, lying on a similar table somewhere, while they try to break him for information he doesn't even have.

“Katniss. Katniss, I'm sorry.” Finnick's voice comes from the bed next to me and slips into my consciousness. Perhaps because we're in the same kind of pain. “I wanted to go back for him and Johanna, but I couldn't move.”

I don't answer. Finnick Odair's good intentions mean less than nothing.

“It's better for him than Johanna. They'll figure out he doesn't know anything pretty fast.

And they won't kill him if they think they can use him against you,” says Finnick.

“Like bait?” I say to the ceiling. “Like how they'll use Annie for bait, Finnick?”

I can hear him weeping but I don't care. They probably won't even bother to question her, she's so far gone. Gone right off the deep end years ago in her Games. There's a good chance I'm headed in the same direction. Maybe I'm already going crazy and no one has the heart to tell me. I feel crazy enough.

“I wish she was dead,” he says. “I wish they were all dead and we were, too. It would be best.”

Well, there's no good response to that. I can hardly dispute it since I was walking around with a syringe to kill Peeta when I found them. Do I really want him dead? What I want ...

what I want is to have him back. But I'll never get him back now. Even if the rebel forces could somehow overthrow the Capitol, you can be sure President Snow's last act would be to cut Peeta's throat. No. I will never get him back. So then dead is best.

But will Peeta know that or will he keep fighting? He's so strong and such a good liar.

Does he think he has a chance of surviving? Does he even care if he does? He wasn't planning on it, anyway. He had already signed off on life. Maybe, if he knows I was rescued, he's even happy. Feels he fulfilled his mission to keep me alive.

I think I hate him even more than I do Haymitch.

I give up. Stop speaking, responding, refuse food and water. They can pump whatever they want into my arm, but it takes more than that to keep a person going once she's lost the will to live. I even have a funny notion that if I do die, maybe Peeta will be allowed to live.

Not as a free person but as an Avox or something, waiting on the future tributes of District 12. Then maybe he could find some way to escape. My death could, in fact, still save him.

If it can't, no matter. It's enough to die of spite. To punish Haymitch, who, of all the people in this rotting world, has turned Peeta and me into pieces in his Games. I trusted him. I put what was precious in Haymitch's hands. And he has betrayed me.

“See, this is why no one lets you make the plans,” he said.

That's true. No one in their right mind would let me make the plans. Because I obviously can't tell a friend from an enemy.

A lot of people come by to talk to me, but I make all their words sound like the clicking of the insects in the jungle. Meaningless and distant. Dangerous, but only if approached.

Whenever the words start to become distinct, I moan until they give me more painkiller and that fixes things right up.

Until one time, I open my eyes and find someone I cannot block out looking down at me.

Someone who will not plead, or explain, or think he can alter my design with entreaties, because he alone really knows how I operate.

“Gale,” I whisper.

“Hey, Catnip.” He reaches down and pushes a strand of hair out of my eyes. One side of his face has been burned fairly recently. His arm is in a sling, and I can see bandages under his miner's shirt. What has happened to him? How is he even here? Something very bad has happened back home.

It is not so much a question of forgetting Peeta as remembering the others. All it takes is one look at Gale and they come surging into the present, demanding to be acknowledged.

“Prim?” I gasp.

“She's alive. So is your mother. I got them out in time,” he says.

“They're not in District Twelve?” I ask.

“After the Games, they sent in planes. Dropped firebombs.” He hesitates. “Well, you know what happened to the Hob.”

I do know. I saw it go up. That old warehouse embedded with coal dust. The whole district's covered with the stuff. A new kind of horror begins to rise up inside me as I imagine firebombs hitting the Seam.

“They're not in District Twelve?” I repeat. As if saying it will somehow fend off the truth.

“Katniss,” Gale says softly.

I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I instinctively raise my hand to block his words but he catches it and holds on tightly.

“Don't,” I whisper.

But Gale is not one to keep secrets from me. “Katniss, there is no District Twelve.” 

END OF BOOK TWO

Categories: Catching Fire

Catching Fire Chapter 26

Catching Fire Part 3: The Enemy

Chapter 26

The anthem begins, but there are no faces in the sky tonight. The audience will be restless, thirsting for blood. Beetee's trap holds enough promise, though, that the Gamemakers haven't sent in other attacks. Perhaps they are simply curious to see if it will work.

At what Finnick and I judge to be about nine, we leave our shell-strewn camp, cross to the twelve o'clock beach, and begin to quietly hike up to the lightning tree in the light of the moon. Our full stomachs make us more uncomfortable and breathless than we were on the morning's climb. I begin to regret those last dozen oysters.

Beetee asks Finnick to assist him, and the rest of us stand guard. Before he even attaches any wire to the tree, Beetee unrolls yards and yards of the stuff. He has Finnick secure it tightly around a broken branch and lay it on the ground. Then they stand on either side of the tree, passing the spool back and forth as they wrap the wire around and around the trunk. At first it seems arbitrary, then I see a pattern, like an intricate maze, appearing in the moonlight on Beetee's side. I wonder if it makes any difference how the wire's placed, or if this is merely to add to the speculation of the audience. I bet most of them know as much about electricity as I do.

The work on the trunk's completed just as we hear the wave begin. I've never really worked out at what point in the ten o'clock hour it erupts. There must be some buildup, then the wave itself, then the aftermath of the flooding. But the sky tells me ten-thirty.

This is when Beetee reveals the rest of the plan. Since we move most swiftly through the trees, he wants Johanna and me to take the coil down through the jungle, unwinding the wire as we go. We are to lay it across the twelve o'clock beach and drop the metal spool, with whatever is left, deep into the water, making sure it sinks. Then run for the jungle. If we go now, right now, we should make it to safety.

“I want to go with them as a guard,” Peeta says immediately. After the moment with the pearl, I know he's less willing than ever to let me out of his sight.

“You're too slow. Besides, I'll need you on this end. Katniss will guard,” says Beetee.

“There's no time to debate this. I'm sorry. If the girls are to get out of there alive, they need to move now.” He hands the coil to Johanna.

I don't like the plan any more than Peeta does. How can I protect him at a distance? But Beetee's right. With his leg, Peeta is too slow to make it down the slope in time. Johanna and I are the fastest and most sure-footed on the jungle floor. I can't think of any alternative. And if I trust anyone here besides Peeta, it's Beetee.

“It's okay,” I tell Peeta. “We'll just drop the coil and come straight back up.”

“Not into the lightning zone,” Beetee reminds me. “Head for the tree in the one-to-twoo'clock sector. If you find you're running out of time, move over one more. Don't even think about going back on the beach, though, until I can assess the damage.”

I take Peeta's face in my hands. “Don't worry. I'll see you at midnight.” I give him a kiss and, before he can object any further, I let go and turn to Johanna. “Ready?”

“Why not?” says Johanna with a shrug. She's clearly no happier about being teamed up than I am. But we're all caught up in Beetee's trap. “You guard, I'll unwind. We can trade off later.”

Without further discussion, we head down the slope. In fact there's very little discussion between us at all. We move at a pretty good clip, one manning the coil, the other keeping watch. About halfway down, we hear the clicking beginning to rise, indicating it's after eleven.

“Better hurry,” Johanna says. “I want to put a lot of distance between me and that water before the lightning hits. Just in case Volts miscalculated something.”

“I'll take the coil for a while,” I say. It's harder work laying out the wire than guarding, and she's had a long turn.

“Here,” Johanna says, passing me the coil.

Both of our hands are still on the metal cylinder when there's a slight vibration. Suddenly the thin golden wire from above springs down at us, bunching in tangled loops and curls around our wrists. Then the severed end snakes up to our feet.

It only takes a second to register this rapid turn of events. Johanna and I look at each other, but neither of us has to say it. Someone not far above us has cut the wire. And they will be on us at any moment.

My hand frees itself from the wire and has just closed on the feathers of an arrow when the metal cylinder smashes into the side of my head. The next thing I know, I'm lying on my back in the vines, a terrible pain in my left temple. Something's wrong with my eyes. My vision blurs in and out of focus as I strain to make the two moons floating up in the sky into one. It's hard to breathe, and I realize Johanna's sitting on my chest, pinning me at the shoulders with her knees.

There's a stab in my left forearm. I try to jerk away but I'm still too incapacitated.

Johanna's digging something, I guess the point of her knife, into my flesh, twisting it around.

There's an excruciating ripping sensation and warmth runs down my wrist, filling my palm.

She swipes down my arm and coats half my face with my blood.

“Stay down!” she hisses. Her weight leaves my body and I'm alone.

Stay down? I think. What? What is happening? My eyes shut, blocking out the inconsistent world, as I try to make sense of my situation.

All I can think of is Johanna shoving Wiress to the beach. “Just stay down, will you?” But she didn't attack Wiress. Not like this. I'm not Wiress, anyway. I'm not Nuts. “Just stay down, will you?” echoes around inside my brain.

Footsteps coming. Two pairs. Heavy, not trying to conceal their whereabouts.

Brutus's voice. “She's good as dead! Come on, Enobaria!” Feet moving into the night.

Am I? I drift in and out of consciousness looking for an answer. Am I as good as dead?

I'm in no position to make an argument to the contrary. In fact, rational thinking is a struggle.

This much I know. Johanna attacked me. Smashed that cylinder into my head. Cut my arm, probably doing irreparable damage to veins and arteries, and then Brutus and Enobaria showed up before she had time to finish me off.

The alliance is over. Finnick and Johanna must have had an agreement to turn on us tonight. I knew we should have left this morning. I don't know where Beetee stands. But I'm fair game, and so is Peeta.

Peeta! My eyes fly open in panic. Peeta is waiting up by the tree, unsuspecting and off guard. Maybe Finnick has even killed him already. “No,” I whisper. That wire was cut from a short distance away by the Careers. Finnick and Beetee and Peeta—they can't know what's going on down here. They can only be wondering what has happened, why the wire has gone slack or maybe even sprung back to the tree. This, in itself, can't be a signal to kill, can it?

Surely this was just Johanna deciding the time had come to break with us. Kill me. Escape from the Careers. Then bring Finnick into the fight as soon as possible.

I don't know. I don't know. I only know that I must get back to Peeta and keep him alive. It takes every ounce of will I have to push up into a sitting position and drag myself up the side of a tree to my feet. It's lucky I have something to hold on to because the jungle's tilting back and forth. Without any warning, I lean forward and vomit up the seafood feast, heaving until there can't possibly be an oyster left in my body. Trembling and slick with sweat, I assess my physical condition.

As I lift up my damaged arm, blood sprays me in the face and the world makes another alarming shift. I squeeze my eyes shut and cling to the tree until things steady a little. Then I take a few careful steps to a neighboring tree, pull off some moss, and without examining the wound further, tightly bandage my arm. Better. Definitely better not to see it. Then I allow my hand to tentatively touch my head wound. There's a huge lump but not too much blood.

Obviously I've got some internal damage, but I don't seem in danger of bleeding to death. At least not through my head.

I dry my hands on moss and get a shaky grip on my bow with my damaged left arm.

Secure the notch of an arrow to the string. Make my feet move up the slope.

Peeta. My dying wish. My promise. To keep him alive. My heart lifts a bit when I realize he must be alive because no cannon has fired. Maybe Johanna was acting alone, knowing Finnick would side with her once her intentions were clear. Although it's hard to guess what goes on between those two. I think of how he looked to her for confirmation before he'd agree to help set Beetee's trap. There's a much deeper alliance based on years of friendship and who knows what else. Therefore, if Johanna has turned on me, I should no longer trust Finnick.

I reach this conclusion only seconds before I hear someone running down the slope toward me. Neither Peeta nor Beetee could move at this pace. I duck behind a curtain of vines, concealing myself just in time. Finnick flies by me, his skin shadowy with medicine, leaping through the undergrowth like a deer. He soon reaches the sight of my attack, must see the blood. “Johanna! Katniss!” he calls. I stay put until he goes in the direction Johanna and the Careers took.

I move as quickly as I can without sending the world into a whirl. My head throbs with the rapid beat of my heart. The insects, possibly excited by the smell of blood, have increased their clicking until it's a continuous roar in my ears. No, wait. Maybe my ears are actually ringing from the hit. Until the insects shut up, it will be impossible to tell. But when the insects go silent, the lightning will start. I have to move faster. I have to get to Peeta.

The boom of a cannon pulls me up short. Someone has died. I know that with everyone running around armed and scared right now, it could be anybody. But whoever it is, I believe the death will trigger a kind of free-for-all out here in the night. People will kill first and wonder about their motives later. I force my legs into a run.

Something snags my feet and I sprawl out on the ground. I feel it wrapping around me, entwining me in sharp fibers. A net! This must be one of Finnick's fancy nets, positioned to trap me, and he must be nearby, trident in hand. I flail around for a moment, only working the web more tightly around me, and then I catch a glimpse of it in the moonlight. Confused, I lift my arm and see it's entangled in shimmering golden threads. It's not one of Finnick's nets at all, but Beetee's wire. I carefully rise to my feet and find I'm in a patch of the stuff that caught on a trunk on its way back to the lightning tree. Slowly I disengage myself from the wire, step out of its reach, and continue uphill.

On the good side, I'm on the right path and have not been so disoriented by the head injury as to lose my sense of direction. On the bad side, the wire has reminded me of the oncoming lightning storm. I can still hear the insects, but are they starting to fade?

I keep the loops of wire a few feet to my left as a guide as I run but take great care not to touch them. If those insects are fading and the first bolt is about to strike the tree, then all its power will come surging down that wire and anyone in contact with it will die.

The tree swims into view, its trunk festooned with gold. I slow down, try to move with some stealth, but I'm really just lucky to be upright. I look for a sign of the others. No one.

No one is there. “Peeta?” I call softly. “Peeta?”

A soft moan answers me and I whip around to find a figure lying higher up on the ground.

“Beetee!” I exclaim. I hurry and kneel beside him. The moan must have been involuntary.

He's not conscious, although I can see no wound except a gash below the crook of his elbow.

I grab a nearby handful of moss and clumsily wrap it while I try to rouse him. “Beetee!

Beetee, what's going on! Who cut you? Beetee!” I shake him in the way you should never shake an injured person, but I don't know what else to do. He moans again and briefly raises a hand to ward me off.

This is when I notice he's holding a knife, one Peeta was carrying earlier, I think, which is wrapped loosely in wire.

Perplexed, I stand and lift the wire, confirming it's attached back at the tree. It takes me a moment to remember the second, much shorter strand that Beetee wound around a branch and left on the ground before he even began his design on the tree. I'd thought it had some electrical significance, had been set aside to be used later. But it never was, because there's probably a good twenty, twenty-five yards here.

I squint hard up the hill and realize we're only a few paces from the force field. There's the telltale square, high up and to my right, just as it was this morning. What did Beetee do? Did he actually try to drive the knife into the force field the way Peeta did by accident? And what's the deal with the wire? Was this his backup plan? If electrifying the water failed, did he mean to send the lightning bolt's energy into the force field? What would that do, anyway?

Nothing? A great deal? Fry us all? The force field must mostly be energy, too, I guess. The one in the Training Center was invisible. This one seems to somehow mirror the jungle. But I've seen it falter when Peeta's knife struck it and when my arrows hit. The real world lies right behind it.

My ears are not ringing. It was the insects after all. I know that now because they are dying out quickly and I hear nothing but the jungle sounds. Beetee is useless. I can't rouse him. I can't save him. I don't know what he was trying to do with the knife and the wire and he's incapable of explaining. The moss bandage on my arm is soaked and there's no use fooling myself. I'm so light-headed I'll black out in a matter of minutes. I've got to get away from this tree and—

“Katniss!” I hear his voice though he's a far distance away. But what is he doing? Peeta must have figured out that everyone is hunting us by now. “Katniss!”

I can't protect him. I can't move fast or far and my shooting abilities are questionable at best. I do the one thing I can to draw the attackers away from him and over to me. “Peeta!” I scream out. “Peeta! I'm here! Peeta!” Yes, I will draw them in, any in my vicinity, away from Peeta and over to me and the lightning tree that will soon be a weapon in and of itself. “I'm here! I'm here!” He won't make it. Not with that leg in the night. He will never make it in time. “Peeta!”

It's working. I can hear them coming. Two of them. Crashing through the jungle. My knees start to give out and I sink down next to Beetee, resting my weight on my heels. My bow and arrow lift into position. If I can take them out, will Peeta survive the rest?

Enobaria and Finnick reach the lightning tree. They can't see me, sitting above them on the slope, my skin camouflaged in ointment. I home in on Enobaria's neck. With any luck, when I kill her, Finnick will duck behind the tree for cover just as the lightning bolt strikes. And it will be any second. There's only a faint insect click here and there. I can kill them now. I can kill them both.

Another cannon.

“Katniss!” Peeta's voice howls for me. But this time I don't answer. Beetee still breathes faintly beside me. He and I will soon die. Finnick and Enobaria will die. Peeta is alive. Two cannons have sounded. Brutus, Johanna, Chaff. Two of them are already dead. That will leave Peeta with only one tribute to kill. And that is the very best I can do. One enemy.

Enemy. Enemy. The word is tugging at a recent memory. Pulling it into the present. The look on Haymitch's face. “Katniss, when you're in the arena ...” The scowl, the misgiving. “What?” I hear my own voice tighten as I bristle at some unspoken accusation. “You just remember who the enemy is,” Haymitch says. “That's all.”

Haymitch's last words of advice to me. Why would I need reminding? I have always known who the enemy is. Who starves and tortures and kills us in the arena. Who will soon kill everyone I love.

My bow drops as his meaning registers. Yes, I know who the enemy is. And it's not Enobaria.

I finally see Beetee's knife with clear eyes. My shaking hands slide the wire from the hilt, wind it around the arrow just above the feathers, and secure it with a knot picked up in training.

I rise, turning to the force field, fully revealing myself but no longer caring. Only caring about where I should direct my tip, where Beetee would have driven the knife if he'd been able to choose. My bow tilts up at the wavering square, the flaw, the ... what did he call it that day? The chink in the armor. I let the arrow fly, see it hit its mark and vanish, pulling the thread of gold behind it.

My hair stands on end and the lightning strikes the tree.

A flash of white runs up the wire, and for just a moment, the dome bursts into a dazzling blue light. I'm thrown backward to the ground, body useless, paralyzed, eyes frozen wide, as feathery bits of matter rain down on me. I can't reach Peeta. I can't even reach my pearl. My eyes strain to capture one last image of beauty to take with me.

Right before the explosions begin, I find a star.

Categories: Catching Fire

Catching Fire Chapter 25

Catching Fire Part 3: The Enemy

Chapter 25

When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I'll be dead in a day. And that's the best-case scenario, if I'm able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell.

Still, the sensation's so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.

Everyone's already up and watching the descent of a parachute to the beach. I join them for another delivery of bread. It's identical to the one we received the night before. Twenty-four rolls from District 3. That gives us thirty-three in all. We each take five, leaving eight in reserve. No one says it, but eight will divide up perfectly after the next death. Somehow, in the light of day, joking about who will be around to eat the rolls has lost its humor.

How long can we keep this alliance? I don't think anyone expected the number of tributes to drop so quickly. What if I am wrong about the others protecting Peeta? If things were simply coincidental, or it's all been a strategy to win our trust to make us easy prey, or I don't understand what's actually going on? Wait, there's no ifs about that. I don't understand what's going on. And if I don't, it's time for Peeta and me to clear out of here.

I sit next to Peeta on the sand to eat my rolls. For some reason, it's difficult to look at him.

Maybe it was all that kissing last night, although the two of us kissing isn't anything new. It might not even have felt any different for him. Maybe it's knowing the brief amount of time we have left. And how we're working at such cross-purposes when it comes to who should survive these Games.

After we eat, I take his hand and tug him toward the water. “Come on. I'll teach you how to swim.” I need to get him away from the others where we can discuss breaking away. It will be tricky, because once they realize we're severing the alliance, we'll be instant targets.

If I was really teaching him to swim, I'd make him take off the belt since it keeps him afloat, but what does it matter now? So I just show him the basic stroke and let him practice going back and forth in waist-high water. At first, I notice Johanna keeping a careful eye on us, but eventually she loses interest and goes to take a nap. Finnick's weaving a new net out of vines and Beetee plays with his wire. I know the time has come.

While Peeta has been swimming, I've discovered something. My remaining scabs are starting to peel off. By gently rubbing a handful of sand up and down my arm, I clean off the rest of the scales, revealing fresh new skin underneath.

I stop Peeta's practice, on the pretext of showing him how to rid himself of the itchy scabs, and as we scrub ourselves, I bring up our escape.

“Look, the pool is down to eight. I think it's time we took off,” I say under my breath, although I doubt any of the tributes can hear me.

Peeta nods, and I can see him considering my proposition. Weighing if the odds will be in our favor. “Tell you what,” he says. “Let's stick around until Brutus and Enobaria are dead. I think Beetee's trying to put together some kind of trap for them now. Then, I promise, we'll go.”

I'm not entirely convinced. But if we leave now, we'll have two sets of adversaries after us.

Maybe three, because who knows what Chaff's up to? Plus the clock to contend with. And then there's Beetee to think of. Johanna only brought him for me, and if we leave she'll surely kill him. Then I remember. I can't protect Beetee, too. There can only be one victor and it has to be Peeta. I must accept this. I must make decisions based on his survival only.

“All right,” I say. “We'll stay until the Careers are dead. But that's the end of it.” I turn and wave to Finnick. “Hey, Finnick, come on in! We figured out how to make you pretty again!”

The three of us scour all the scabs from our bodies, helping with the others' backs, and come out the same pink as the sky. We apply another round of medicine because the skin seems too delicate for the sunlight, but it doesn't look half as bad on smooth skin and will be good camouflage in the jungle.

Beetee calls us over, and it turns out that during all those hours of fiddling with wire, he has indeed come up with a plan. “I think we'll all agree our next job is to kill Brutus and Enobaria,” he says mildly. “I doubt they'll attack us openly again, now that they're so outnumbered. We could track them down, I suppose, but it's dangerous, exhausting work.”

“Do you think they've figured out about the clock?” I ask.

“If they haven't, they'll figure it out soon enough. Perhaps not as specifically as we have.

But they must know that at least some of the zones are wired for attacks and that they're reoccurring in a circular fashion. Also, the fact that our last fight was cut off by Gamemaker intervention will not have gone unnoticed by them. We know it was an attempt to disorient us, but they must be asking themselves why it was done, and this, too, may lead them to the realization that the arena's a clock,” says Beetee. “So I think our best bet will be setting our own trap.”

“Wait, let me get Johanna up,” says Finnick. “She'll be rabid if she thinks she missed something this important.”

“Or not,” I mutter, since she's always pretty much rabid, but I don't stop him, because I'd be angry myself if I was excluded from a plan at this point.

When she's joined us, Beetee shoos us all back a bit so he can have room to work in the sand. He swiftly draws a circle and divides it into twelve wedges. It's the arena, not rendered in-Peeta's precise strokes but in the rough lines of a man whose mind is occupied by other, far more complex things. “If you were Brutus and Enobaria, knowing what you do now about the jungle, where would you feel safest?” Beetee asks. There's nothing patronizing in his voice, and yet I can't help thinking he reminds me of a schoolteacher about to ease children into a lesson. Perhaps it's the age difference, or simply that Beetee is probably about a million times smarter than the rest of us.

“Where we are now. On the beach,” says Peeta. “It's the safest place.”

“So why aren't they on the beach?” says Beetee.

“Because we're here,” says Johanna impatiently.

“Exactly. We're here, claiming the beach. Now where would you go?” says Beetee.

I think about the deadly jungle, the occupied beach. “I'd hide just at the edge of the jungle.

So I could escape if an attack came. And so I could spy on us.”

“Also to eat,” Finnick says. “The jungle's full of strange creatures and plants. But by watching us, I'd know the seafood's safe.”

Beetee smiles at us as if we've exceeded his expectations. “Yes, good. You do see. Now here's what I propose: a twelve o'clock strike. What happens exactly at noon and at midnight?”

“The lightning bolt hits the tree,” I say.

“Yes. So what I'm suggesting is that after the bolt hits at noon, but before it hits at midnight, we run my wire from that tree all the way down into the saltwater, which is, of course, highly conductive. When the bolt strikes, the electricity will travel down the wire and into not only the water but also the surrounding beach, which will still be damp from the ten o'clock wave. Anyone in contact with those surfaces at that moment will be electrocuted,”

says Beetee.

There's a long pause while we all digest Beetee's plan. It seems a bit fantastical to me, impossible even. But why? I've set thousands of snares. Isn't this just a larger snare with a more scientific component? Could it work? How can we even question it, we tributes trained to gather fish and lumber and coal? What do we know about harnessing power from the sky?

Peeta takes a stab at it. “Will that wire really be able to conduct that much power, Beetee?

It looks so fragile, like it would just burn up.”

“Oh, it will. But not until the current has passed through it. It will act something like a fuse, in fact. Except the electricity will travel along it,” says Beetee.

“How do you know?” asks Johanna, clearly not convinced.

“Because I invented it,” says Beetee, as if slightly surprised. “It's not actually wire in the usual sense. Nor is the lightning natural lightning nor the tree a real tree. You know trees better than any of us, Johanna. It would be destroyed by now, wouldn't it?”

“Yes,” she says glumly.

“Don't worry about the wire — it will do just what I say,” Beetee assures us.

“And where will we be when this happens?” asks Finnick.

“Far enough up in the jungle to be safe,” Beetee replies.

“The Careers will be safe, too, then, unless they're in the vicinity of the water,” I point out.

“That's right,” says Beetee.

“But all the seafood will be cooked,” says Peeta.

“Probably more than cooked,” says Beetee. “We will most likely be eliminating that as a food source for good. But you found other edible things in the jungle, right, Katniss?”

“Yes. Nuts and rats,” I say. “And we have sponsors.”

“Well, then. I don't see that as a problem,” says Beetee. “But as we are allies and this will require all our efforts, the decision of whether or not to attempt it is up to you four.”

We are like schoolchildren. Completely unable to dispute his theory with anything but the most elementary concerns. Most of which don't even have anything to do with his actual plan.

I look at the others' disconcerted faces. “Why not?” I say. “If it fails, there's no harm done. If it works, there's a decent chance we'll kill them. And even if we don't and just kill the seafood, Brutus and Enobaria lose it as a food source, too.”

“I say we try it,” says Peeta. “Katniss is right.”

Finnick looks at Johanna and raises his eyebrows. He will not go forward without her.

“All right,” she says finally. “It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves.”

Beetee wants to inspect the lightning tree before he has to rig it. Judging by the sun, it's about nine in the morning. We have to leave our beach soon, anyway. So we break camp, walk over to the beach that borders the lightning section, and head into the jungle. Beetee's still too weak to hike up the slope on his own, so Finnick and Peeta take turns carrying him. I let Johanna lead because it's a pretty straight shot up to the tree, and I figure she can't get us too lost. Besides, I can do a lot more damage with a sheath of arrows than she can with two axes, so I'm the best one to bring up the rear.

The dense, muggy air weighs on me. There's been no break from it since the Games began. I wish Haymitch would stop sending us that District 3 bread and get us some more of that District 4 stuff, because I've sweated out buckets in the last two days, and even though I've had the fish, I'm craving salt. A piece of ice would be another good idea. Or a cold drink of water. I'm grateful for the fluid from the trees, but it's the same temperature as the seawater and the air and the other tributes and me. We're all just one big, warm stew.

As we near the tree, Finnick suggests I take the lead. “Katniss can hear the force field,” he explains to Beetee and Johanna.

“Hear it?” asks Beetee.

“Only with the ear the Capitol reconstructed,” I say. Guess who I'm not fooling with that story? Beetee. Because surely he remembers that he showed me how to spot a force field, and probably it's impossible to hear force fields, anyway. But, for whatever reason, he doesn't question my claim.

“Then by all means, let Katniss go first,” he says, pausing a moment to wipe the steam off his glasses. “Force fields are nothing to play around with.”

The lightning tree's unmistakable as it towers so high above the others. I find a bunch of nuts and make everybody wait while I move slowly up the slope, tossing the nuts ahead of me. But I see the force field almost immediately, even before a nut hits it, because it's only about fifteen yards away. My eyes, which are sweeping the greenery before me, catch sight of the rippled square high up and to my right. I throw a nut directly in front of me and hear it sizzle in confirmation.

“Just stay below the lightning tree,” I tell the others.

We divide up duties. Finnick guards Beetee while he examines the tree, Johanna taps for water, Peeta gathers nuts, and I hunt nearby. The tree rats don't seem to have any fear of humans, so I take down three easily. The sound of the ten o'clock wave reminds me I should get back, and I return to the others and clean my kill. Then I draw a line in the dirt a few feet from the force field as a reminder to keep back, and Peeta and I settle down to roast nuts and sear cubes of rat.

Beetee is still messing around the tree, doing I don't know what, taking measurements and such. At one point he snaps off a sliver of bark, joins us, and throws it against the force field.

It bounces back and lands on the ground, glowing. In a few moments it returns to its original color. “Well, that explains a lot,” says Beetee. I look at Peeta and can't help biting my lip to keep from laughing since it explains absolutely nothing to anyone but Beetee.

About this time we hear the sound of clicks rising from the sector adjacent to us. That means it's eleven o'clock. It's far louder in the jungle than it was on the beach last night. We all listen intently.

“It's not mechanical,” Beetee says decidedly.

“I'd guess insects,” I say. “Maybe beetles.”

“Something with pincers,” adds Finnick.

The sound swells, as if alerted by our quiet words to the proximity of live flesh. Whatever is making that clicking, I bet it could strip us to the bone in seconds.

“We should get out of here, anyway,” says Johanna. “There's less than an hour before the lightning starts.”

We don't go that far, though. Only to the identical tree in the blood-rain section. We have a picnic of sorts, squatting on the ground, eating our jungle food, waiting for the bolt that signals noon. At Beetee's request, I climb up into the canopy as the clicking begins to fade out. When the lightning strikes, it's dazzling, even from here, even in this bright sunlight. It completely encompasses the distant tree, making it glow a hot blue-white and causing the surrounding air to crackle with electricity. I swing down and report my findings to Beetee, who seems satisfied, even if I'm not terribly scientific.

We take a circuitous route back to the ten o'clock beach. The sand is smooth and damp, swept clean by the recent wave. Beetee essentially gives us the afternoon off while he works with the wire. Since it's his weapon and the rest of us have to defer to his knowledge so entirely, there's the odd feeling of being let out of school early. At first we take turns having naps in the shadowy edge of the jungle, but by late afternoon everyone is awake and restless.

We decide, since this might be our last chance for seafood, to make a sort of feast of it. Under Finnick's guidance we spear fish and gather shellfish, even dive for oysters. I like this last part best, not because I have any great appetite for oysters. I only ever tasted them once, in the Capitol, and I couldn't get around the sliminess. But it's lovely, deep down under the water, like being in a different world. The water's very clear, and schools of bright-hued fish and strange sea flowers decorate the sand floor.

Johanna keeps watch while Finnick, Peeta, and I clean and lay out the seafood. Peeta's just pried open an oyster when I hear him give a laugh. “Hey, look at this!” He holds up a glistening, perfect pearl about the size of a pea. “You know, if you put enough pressure on coal it turns to pearls,” he says earnestly to Finnick.

“No, it doesn't,” says Finnick dismissively. But I crack up, remembering that's how a clueless Effie Trinket presented us to the people of the Capitol last year, before anyone knew us. As coal pressured into pearls by our weighty existence. Beauty that arose out of pain.

Peeta rinses the pearl off in the water and hands it to me. “For you.” I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments.

“Thanks,” I say, closing my fist around it. I look coolly into the blue eyes of the person who is now my greatest opponent, the person who would keep me alive at his own expense.

And I promise myself I will defeat his plan.

The laughter drains from those eyes, and they are staring so intensely into mine, it's like they can read my thoughts. “The locket didn't work, did it?” Peeta says, even though Finnick is right there. Even though everyone can hear him. “Katniss?”

“It worked,” I say.

“But not the way I wanted it to,” he says, averting his glance. After that he will look at nothing but oysters.

Just as we're about to eat, a parachute appears bearing two supplements to our meal. A small pot of spicy red sauce and yet another round of rolls from District 3. Finnick, of course, immediately counts them. “Twenty-four again,” he says.

Thirty-two rolls, then. So we each take five, leaving seven, which will never divide equally. It's bread for only one.

The salty fish flesh, the succulent shellfish. Even the oysters seem tasty, vastly improved by the sauce. We gorge ourselves until no one can hold another bite, and even then there are leftovers. They won't keep, though, so we toss all the remaining food back into the water so the Careers won't get it when we leave. No one bothers about the shells. The wave should clear those away.

There's nothing to do now but wait. Peeta and I sit at the edge of the water, hand in hand, wordless. He gave his speech last night but it didn't change my mind, and nothing I can say will change his. The time for persuasive gifts is over.

I have the pearl, though, secured in a parachute with the spile and the medicine at my waist. I hope it makes it back to District 12.

Surely my mother and Prim will know to return it to Peeta before they bury my body.

Categories: Catching Fire

Catching Fire Chapter 24

Catching Fire Part 3: The Enemy

Chapter 24

 Where is she? What are they doing to her? “Prim!” I cry out. “Prim!” Only another agonized scream answers me. How did she get here? Why is she part of the Games? “Prim!”

Vines cut into my face and arms, creepers grab my feet. But I am getting closer to her.

Closer. Very close now. Sweat pours down my face, stinging the healing acid wounds. I pant, trying to get some use out of the warm, moist air that seems empty of oxygen. Prim makes a sound — such a lost, irretrievable sound—that I can't even imagine what they have done to evoke it.

“Prim!” I rip through a wall of green into a small clearing and the sound repeats directly above me. Above me? My head whips back. Do they have her up in the trees? I desperately search the branches but see nothing. “Prim?” I say pleadingly. I hear her but can't see her.

Her next wail rings out, clear as a bell, and there's no mistaking the source. It's coming from the mouth of a small, crested black bird perched on a branch about ten feet over my head.

And then I understand.

It's a jabberjay.

I've never seen one before — I thought they no longer existed—and for a moment, as I lean against the trunk of the tree, clutching the stitch in my side, I examine it. The muttation, the forerunner, the father. I pull up a mental image of a mockingbird, fuse it with the jabberjay, and yes, I can see how they mated to make my mockingjay. There is nothing about the bird that suggests it's a mutt. Nothing except the horribly lifelike sounds of Prim's voice streaming from its mouth. I silence it with an arrow in its throat. The bird falls to the ground.

I remove my arrow and wring its neck for good measure. Then I hurl the revolting thing into the jungle. No degree of hunger would ever tempt me to eat it.

It wasn't real, I tell myself. The same way the muttation wolves last year weren't really the dead tributes. It's just a sadistic trick of the Gamemakers.

Finnick crashes into the clearing to find me wiping my arrow clean with some moss.

“Katniss?”

“It's okay. I'm okay,” I say, although I don't feel okay at all. “I thought I heard my sister but—” The piercing shriek cuts me off. It's another voice, not Prim's, maybe a young woman's. I don't recognize it. But the effect on Finnick is instantaneous. The color vanishes from his face and I can actually see his pupils dilate in fear. “Finnick, wait!” I say, reaching out to reassure him, but he's bolted away. Gone off in pursuit of the victim, as mindlessly as I pursued Prim. “Finnick!” I call, but I know he won't turn back and wait for me to give a rational explanation. So all I can do is follow him.

It's no effort to track him, even though he's moving so fast, since he leaves a clear, trampled path in his wake. But the bird is at least a quarter mile away, most of it uphill, and by the time I reach him, I'm winded. He's circling around a giant tree. The trunk must be four feet in diameter and the limbs don't even begin until twenty feet up. The woman's shrieks emanate from somewhere in the foliage, but the jabberjay's concealed. Finnick's screaming as well, over and over. “Annie! Annie!” He's in a state of panic and completely unreachable, so I do what I would do anyway. I scale an adjacent tree, locate the jabberjay, and take it out with an arrow. It falls straight down, landing right at Finnick's feet. He picks it up, slowly making the connection, but when I slide down to join him, he looks more despairing than ever.

“It's all right, Finnick. It's just a jabberjay. They're playing a trick on us,” I say. “It's not real. It's not your ... Annie.”

“No, it's not Annie. But the voice was hers. Jabberjays mimic what they hear. Where did they get those screams, Katniss?” he says.

I can feel my own cheeks grow pale as I understand his meaning. “Oh, Finnick, you don't think they ...”

“Yes. I do. That's exactly what I think,” he says.

I have an image of Prim in a white room, strapped to a table, while masked, robed figures elicit those sounds from her. Somewhere they are torturing her, or did torture her, to get those sounds. My knees turn to water and I sink to the ground. Finnick is trying to tell me something, but I can't hear him. What I do finally hear is another bird starting up somewhere off to my left. And this time, the voice is Gale's.

Finnick catches my arm before I can run. “No. It's not him.” He starts pulling me downhill, toward the beach. “We're getting out of here!” But Gale's voice is so full of pain I can't help struggling to reach it. “It's not him, Katniss! It's a mutt!” Finnick shouts at me.

“Come on!” He moves me along, half dragging, half carrying me, until I can process what he said. He's right, it's just another jabberjay. I can't help Gale by chasing it down. But that doesn't change the fact that it is Gale's voice, and somewhere, sometime, someone has made him sound like this.

I stop fighting Finnick, though, and like the night in the fog, I flee what I can't fight. What can only do me harm. Only this time it's my heart and not my body that's disintegrating. This must be another weapon of the clock. Four o'clock, I guess. When the hands tick-tock onto the four, the monkeys go home and the jabberjays come out to play. Finnick is right—getting out of here is the only thing to do. Although there will be nothing Haymitch can send in a parachute that will help either Finnick or me recover from the wounds the birds have inflicted.

I catch sight of Peeta and Johanna standing at the tree line and I'm filled with a mixture of relief and anger. Why didn't Peeta come to help me? Why did no one come after us? Even now he hangs back, his hands raised, palms toward us, lips moving but no words reaching us.

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Why?,

The wall is so transparent, Finnick and I run smack into it and bounce back onto the jungle floor. I'm lucky. My shoulder took the worst of the impact, whereas Finnick hit face-first and now his nose is gushing blood. This is why Peeta and Johanna and even Beetee, who I see sadly shaking his head behind them, have not come to our aid. An invisible barrier blocks the area in front of us. It's not a force field. You can touch the hard, smooth surface all you like.

But Peeta's knife and Johanna's ax can't make a dent in it. I know, without checking more than a few feet to one side, that it encloses the entire four-to-five-o'clock wedge. That we will be trapped like rats until the hour passes.

Peeta presses his hand against the surface and I put my own up to meet it, as if I can feel him through the wall. I see his lips moving but I can't hear him, can't hear anything outside our wedge. I try to make out what he's saying, but I can't focus, so I just stare at his face, doing my best to hang on to my sanity.

Then the birds begin to arrive. One by one. Perching in the surrounding branches. And a carefully orchestrated chorus of horror begins to spill out of their mouths. Finnick gives up at once, hunching on the ground, clenching his hands over his ears as if he's trying to crush his skull. I try to fight for a while. Emptying my quiver of arrows into the hated birds. But every time one drops dead, another quickly takes its place. And finally I give up and curl up beside Finnick, trying to block out the excruciating sounds of Prim, Gale, my mother, Madge, Rory, Vick, even Posy, helpless little Posy...

I know it's stopped when I feel Peeta's hands on me, feel myself lifted from the ground and out of the jungle. But I stay eyes squeezed shut, hands over my ears, muscles too rigid to release. Peeta holds me on his lap, speaking soothing words, rocking me gently. It takes a long time before I begin to relax the iron grip on my body. And when I do, the trembling begins.

“It's all right, Katniss,” he whispers.

“You didn't hear them,” I answer.

“I heard Prim. Right in the beginning. But it wasn't her,” he says. “It was a jabberjay.”

“It was her. Somewhere. The jabberjay just recorded it,” I say.

“No, that's what they want you to think. The same way I wondered if Glimmer's eyes were in that mutt last year. But those weren't Glimmer's eyes. And that wasn't Prim's voice. Or if it was, they took it from an interview or something and distorted the sound. Made it say whatever she was saying,” he says.

“No, they were torturing her,” I answer. “She's probably dead.”

“Katniss, Prim isn't dead. How could they kill Prim? We're almost down to the final eight of us. And what happens then?” Peeta says.

“Seven more of us die,” I say hopelessly.

“No, back home. What happens when they reach the final eight tributes in the Games?” He lifts my chin so I have to look at him. Forces me to make eye contact. “What happens? At the final eight?”

I know he's trying to help me, so I make myself think. “At the final eight?” I repeat. “They interview your family and friends back home.”

“That's right,” says Peeta. “They interview your family and friends. And can they do that if they've killed them all?”

“No?” I ask, still unsure.

“No. That's how we know Prim's alive. She'll be the first one they interview, won't she?”

he asks.

I want to believe him. Badly. It's just ... those voices ...

“First Prim. Then your mother. Your cousin, Gale. Madge,” he continues. “It was a trick, Katniss. A horrible one. But we're the only ones who can be hurt by it. We're the ones in the Games. Not them.”

“You really believe that?” I say.

“I really do,” says Peeta. I waver, thinking of how Peeta can make anyone believe anything. I look over at Finnick for confirmation, see he's fixated on Peeta, his words.

“Do you believe it, Finnick?” I ask.

“It could be true. I don't know,” he says. “Could they do that, Beetee? Take someone's regular voice and make it ...”

“Oh, yes. It's not even that difficult, Finnick. Our children learn a similar technique in school,” says Beetee.

“Of course Peeta's right. The whole country adores Katniss's little sister. If they really killed her like this, they'd probably have an uprising on their hands,” says Johanna flatly.

“Don't want that, do they?” She throws back her head and shouts, “Whole country in rebellion? Wouldn't want anything like that!”

My mouth drops open in shock. No one, ever, says anything like this in the Games.

Absolutely, they've cut away from Johanna, are editing her out. But I have heard her and can never think about her again in the same way. She'll never win any awards for kindness, but she certainly is gutsy. Or crazy. She picks up some shells and heads toward the jungle. “I'm getting water,” she says.

I can't help catching her hand as she passes me. “Don't go in there. The birds—” I remember the birds must be gone, but I still don't want anyone in there. Not even her.

“They can't hurt me. I'm not like the rest of you. There's no one left I love,” Johanna says, and frees her hand with an impatient shake. When she brings me back a shell of water, I take it with a silent nod of thanks, knowing how much she would despise the pity in my voice.

While Johanna collects water and my arrows, Beetee fiddles with his wire, and Finnick takes to the water. I need to clean up, too, but I stay in Peeta's arms, still too shaken to move.

“Who did they use against Finnick?” he asks.

“Somebody named Annie,” I say.

“Must be Annie Cresta,” he says.

“Who?” I ask.

“Annie Cresta. She was the girl Mags volunteered for. She won about five years ago,”

says Peeta.

That would have been the summer after my father died, when I first began feeding my family, when my whole being was occupied with battling starvation. “I don't remember those Games much,” I say. “Was that the earthquake year?”

“Yeah. Annie's the one who went mad when her district partner got beheaded. Ran off by herself and hid. But an earthquake broke a dam and most of the arena got flooded. She won because she was the best swimmer,” says Peeta.

“Did she get better after?” I ask. “I mean, her mind?”

“I don't know. I don't remember ever seeing her at the Games again. But she didn't look too stable during the reaping this year,” says Peeta.

So that's who Finnick loves, I think. Not his string of fancy lovers in the Capitol. But a poor, mad girl back home.

A cannon blast brings us all together on the beach. A hovercraft appears in what we estimate to be the six-to-seven-o'clock zone. We watch as the claw dips down five different times to retrieve the pieces of one body, torn apart. It's impossible to tell who it was.

Whatever happens at six o'clock, I never want to know.

Peeta draws a new map on a leaf, adding a JJ for jabberjays in the four-to-five-o'clock section and simply writing beast in the one where we saw the tribute collected in pieces. We now have a good idea of what seven of the hours will bring. And if there's any positive to the jabberjay attack, it's that it let us know where we are on the clock face again.

Finnick weaves yet another water basket and a net for fishing. I take a quick swim and put more ointment on my skin. Then I sit at the edge of the water, cleaning the fish Finnick catches and watching the sun drop below the horizon. The bright moon is already on the rise, filling the arena with that strange twilight. We're about to settle down to our meal of raw fish when the anthem begins. And then the faces ...

Cashmere. Gloss. Wiress. Mags. The woman from District 5. The morphling who gave her life for Peeta. Blight. The man from 10.

Eight dead. Plus eight from the first night. Two-thirds of us gone in a day and a half. That must be some kind of record.

“They're really burning through us,” says Johanna. “Who's left? Besides us five and District Two?” asks Finnick.

“Chaff,” says Peeta, without needing to think about it. Perhaps he's been keeping an eye out for him because of Haymitch.

A parachute comes down with a pile of bite-sized square-shaped rolls. “These are from your district, right, Beetee?” Peeta asks.

“Yes, from District Three,” he says. “How many are there?”

Finnick counts them, turning each one over in his hands before he sets it in a neat configuration. I don't know what it is with Finnick and bread, but he seems obsessed with handling it. “Twenty-four,” he says.

“An even two dozen, then?” says Beetee.

“Twenty-four on the nose,” says Finnick. “How should we divide them?”

“Let's each have three, and whoever is still alive at breakfast can take a vote on the rest,”

says Johanna. I don't know why this makes me laugh a little. I guess because it's true. When I do, Johanna gives me a look that's almost approving. No, not approving. But maybe slightly pleased.

We wait until the giant wave has flooded out of the ten-to-eleven-o'clock section, wait for the water to recede, and then go to that beach to make camp. Theoretically, we should have a full twelve hours of safety from the jungle. There's an unpleasant chorus of clicking, probably from some evil type of insect, coming from the eleven-to-twelve-o'clock wedge. But whatever is making the sound stays within the confines of the jungle and we keep off that part of the beach in case they're just waiting for a carelessly placed footfall to swarm out.

I don't know how Johanna's still on her feet. She's only had about an hour of sleep since the Games started. Peeta and I volunteer for the first watch because we're better rested, and because we want some time alone. The others go out immediately, although Finnick's sleep is restless. Every now and then I hear him murmuring Annie's name.

Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. I watch the water as he watches the jungle, which is better for me. I'm still haunted by the voices of the jabberjays, which unfortunately the insects can't drown out.

After a while I rest my head against his shoulder. Feel his hand caress my hair.

“Katniss,” he says softly, “it's no use pretending we don't know what the other one is trying to do.” No, I guess there isn't, but it's no fun discussing it, either. Well, not for us, anyway. The Capitol viewers will be glued to their sets so they don't miss one wretched word.

“I don't know what kind of deal you think you've made with Haymitch, but you should know he made me promises as well.” Of course, I know this, too. He told Peeta they could keep me alive so that he wouldn't be suspicious. “So I think we can assume he was lying to one of us.”

This gets my attention. A double deal. A double promise. With only Haymitch knowing which one is real. I raise my head, meet Peeta's eyes. “Why are you saying this now?”

“Because I don't want you forgetting how different our circumstances are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life,” he says. “I would never be happy again.” I start to object but he puts a finger to my lips. “It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living.”

Peeta pulls the chain with the gold disk from around his neck. He holds it in the moonlight so I can clearly see the mockingjay. Then his thumb slides along a catch I didn't notice before and the disk pops open. It's not solid, as I had thought, but a locket. And within the locket are photos. On the right side, my mother and Prim, laughing. And on the left, Gale. Actually smiling.

There is nothing in the world that could break me faster at this moment than these three faces. After what I heard this afternoon ... it is the perfect weapon.

“Your family needs you, Katniss,” Peeta says.

My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intention is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.

Everything. That's what Peeta wants me to take from him.

I wait for him to mention the baby, to play to the cameras, but he doesn't. And that's how I know that none of this is part of the Games. That he is telling me the truth about what he feels.

“No one really needs me,” he says, and there's no self-pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on.

Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.

“I do,” I say. “I need you.” He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.

I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside.

Only one that made me want more. But my head wound started bleeding and he made me lie down.

This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.

It's the first crack of the lightning storm—the bolt hitting the tree at midnight—that brings us to our senses. It rouses Finnick as well. He sits up with a sharp cry. I see his fingers digging into the sand as he reassures himself that whatever nightmare he inhabited wasn't real.

“I can't sleep anymore,” he says. “One of you should rest.” Only then does he seem to notice our expressions, the way we're wrapped around each other. “Or both of you. I can watch alone.”

Peeta won't let him, though. “It's too dangerous,” he says. “I'm not tired. You lie down, Katniss.” I don't object because I do need to sleep if I'm to be of any use keeping him alive. I let him lead me over to where the others are. He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. “You're going to make a great mother, you know,” he says. He kisses me one last time and goes back to Finnick.

His reference to the baby signals that our time-out from the Games is over. That he knows the audience will be wondering why he hasn't used the most persuasive argument in his arsenal. That sponsors must be manipulated.

But as I stretch out on the sand I wonder, could it be more? Like a reminder to me that I could still one day have kids with Gale? Well, if that was it, it was a mistake. Because for one thing, that's never been part of my plan.

And for another, if only one of us can be a parent, anyone can see it should be Peeta.

As I drift off, I try to imagine that world, somewhere in the future, with no Games, no Capitol. A place like the meadow in the song I sang to Rue as she died. Where Peeta's child could be safe.

Categories: Catching Fire

Catching Fire Chapter 23

Catching Fire Part 1: The Enemy

Chapter 23

A clock. I can almost see the hands ticking around the twelve-sectioned face of the arena.

Each hour begins a new horror, a new Gamemaker weapon, and ends the previous. Lightning, blood rain, fog, monkeys — those are the first four hours on the clock. And at ten, the wave. I don't know what happens in the other seven, but I know Wiress is right.

At present, the blood rain's falling and we're on the beach below the monkey segment, far too close to the fog for my liking. Do the various attacks stay within the confines of the jungle? Not necessarily. The wave didn't. If that fog leaches out of the jungle, or the monkeys return ...

“Get up,” I order, shaking Peeta and Finnick and Johanna awake. “Get up—we have to move.” There's enough time, though, to explain the clock theory to them. About Wiress's tick-tocking and how the movements of the invisible hands trigger a deadly force in each section.

I think I've convinced everyone who's conscious except Johanna, who's naturally opposed to liking anything I suggest. But even she agrees it's better to be safe than sorry.

While the others collect our few possessions and get Beetee back into his jumpsuit, I rouse Wiress. She awakes with a panicked “tick, tock!”

“Yes, tick, tock, the arena's a clock. It's a clock, Wiress, you were right,” I say. “You were right.”

Relief floods her face — I guess because somebody has finally understood what she's known probably from the first tolling of the bells. “Midnight.”

“It starts at midnight,” I confirm.

A memory struggles to surface in my brain. I see a clock. No, it's a watch, resting in Plutarch Heavensbee's palm. “It starts at midnight,” Plutarch said. And then my mockingjay lit up briefly and vanished. In retrospect, it's like he was giving me a clue about the arena. But why would he? At the time, I was no more a tribute in these Games than he was. Maybe he thought it would help me as a mentor. Or maybe this had been the plan all along.

Wiress nods at the blood rain. “One-thirty,” she says.

“Exactly. One-thirty. And at two, a terrible poisonous fog begins there,” I say, pointing at the nearby jungle. “So we have to move somewhere safe now.” She smiles and stands up obediently. “Are you thirsty?” I hand her the woven bowl and she gulps down about a quart.

Finnick gives her the last bit of bread and she gnaws on it. With the inability to communicate overcome, she's functioning again.

I check my weapons. Tie up the spile and the tube of medicine in the parachute and fix it to my belt with vine.

Beetee's still pretty out of it, but when Peeta tries to lift him, he objects. “Wire,” he says.

“She's right here,” Peeta tells him. “Wiress is fine. She's coming, too.”

But still Beetee struggles. “Wire,” he insists.

“Oh, I know what he wants,” says Johanna impatiently. She crosses the beach and picks up the cylinder we took from his belt when we were bathing him. It's coated in a thick layer of congealed blood. “This worthless thing. It's some kind of wire or something. That's how he got cut. Running up to the Cornucopia to get this. I don't know what kind of weapon it's supposed to be. I guess you could pull off a piece and use it as a garrote or something. But really, can you imagine Beetee garroting somebody?”

“He won his Games with wire. Setting up that electrical trap,” says Peeta. “It's the best weapon he could have.”

There's something odd about Johanna not putting this together. Something that doesn't quite ring true. Suspicious. “Seems like you'd have figured that out,” I say. “Since you nicknamed him Volts and all.”

Johanna's eyes narrow at me dangerously. “Yeah, that was really stupid of me, wasn't it?”

she says. “I guess I must have been distracted by keeping your little friends alive. While you were...what, again? Getting Mags killed off?”

My fingers tighten on the knife handle at my belt.

“Go ahead. Try it. I don't care if you are knocked up, I'll rip your throat out,” says Johanna.

I know I can't kill her right now. But it's just a matter of time with Johanna and me. Before one of us offs the other.

“Maybe we all had better be careful where we step,” says Finnick, shooting me a look. He takes the coil and sets it on Beetee's chest. “There's your wire, Volts. Watch where you plug it.”

Peeta picks up the now-unresisting Beetee. “Where to?”

“I'd like to go to the Cornucopia and watch. Just to make sure we're right about the clock,”

says Finnick. It seems as good a plan as any. Besides, I wouldn't mind the chance of going over the weapons again. And there are six of us now. Even if you count Beetee and Wiress out, we've got four good fighters. It's so different from where I was last year at this point, doing everything on my own. Yes, it's great to have allies as long as you can ignore the thought that you'll have to kill them.

Beetee and Wiress will probably find some way to die on their own. If we have to run from something, how far would they get? Johanna, frankly, I could easily kill if it came down to protecting Peeta. Or maybe even just to shut her up. What I really need is for someone to take out Finnick for me, since I don't think I can do it personally. Not after all he's done for Peeta. I think about maneuvering him into some kind of encounter with the Careers. It's cold, I know. But what are my options? Now that we know about the clock, he probably won't die in the jungle, so someone's going to have to kill him in battle.

Because this is so repellent to think about, my mind frantically tries to change topics. But the only thing that distracts me from my current situation is fantasizing about killing President Snow. Not very pretty daydreams for a seventeen-year-old girl, I guess, but very satisfying.

We walk down the nearest sand strip, approaching the Cornucopia with care, just in case the Careers are concealed there. I doubt they are, because we've been on the beach for hours and there's been no sign of life. The area's abandoned, as I expected. Only the big golden horn and the picked-over pile of weapons remain.

When Peeta lays Beetee in the bit of shade the Cornucopia provides, he calls out to Wiress. She crouches beside him and he puts the coil of wire in her hands. “Clean it, will you?” he asks.

Wiress nods and scampers over to the water's edge, where she dunks the coil in the water.

She starts quietly singing some funny little song, about a mouse running up a clock. It must be for children, but it seems to make her happy.

“Oh, not the song again,” says Johanna, rolling her eyes. “That went on for hours before she started tick-tocking.”

Suddenly Wiress stands up very straight and points to the jungle. “Two,” she says.

I follow her finger to where the wall of fog has just begun to seep out onto the beach.

“Yes, look, Wiress is right. It's two o'clock and the fog has started.”

“Like clockwork,” says Peeta. “You were very smart to figure that out, Wiress.”

Wiress smiles and goes back to singing and dunking her coil. “Oh, she's more than smart,”

says Beetee. “She's intuitive.” We all turn to look at Beetee, who seems to be coming back to life. “She can sense things before anyone else. Like a canary in one of your coal mines.”

“What's that?” Finnick asks me.

“It's a bird that we take down into the mines to warn us if there's bad air,” I say.

“What's it do, die?” asks Johanna.

“It stops singing first. That's when you should get out. But if the air's too bad, it dies, yes.

And so do you.” I don't want to talk about dying songbirds. They bring up thoughts of my father's death and Rue's death and Maysilee Donner's death and my mother inheriting her songbird. Oh, great, and now I'm thinking of Gale, deep down in that horrible mine, with President Snow's threat hanging over his head. So easy to make it look like an accident down there. A silent canary, a spark, and nothing more.

I go back to imagining killing the president.

Despite her annoyance at Wiress, Johanna's as happy as I've seen her in the arena. While I'm adding to my stock of arrows, she pokes around until she comes up with a pair of lethal-looking axes. It seems an odd choice until I see her throw one with such force it sticks in the sun-softened gold of the Cornucopia. Of course. Johanna Mason. District 7. Lumber. I bet she's been tossing around axes since she could toddle. It's like Finnick with his trident. Or Beetee with his wire. Rue with her knowledge of plants. I realize it's just another disadvantage the District 12 tributes have faced over the years. We don't go down in the mines until we're eighteen. It looks like most of the other tributes learn something about their trades early on. There are things you do in a mine that could come in handy in the Games.

Wielding a pick. Blowing things up. Give you an edge. The way my hunting did. But we learn them too late.

While I've been messing with the weapons, Peeta's been squatting on the ground, drawing something with the tip of his knife on a large, smooth leaf he brought from the jungle.

I look over his shoulder and see he's creating a map of the arena. In the center is the Cornucopia on its circle of sand with the twelve strips branching out from it. It looks like a pie sliced into twelve equal wedges. There's another circle representing the waterline and a slightly larger one indicating the edge of the jungle. “Look how the Cornucopia's positioned,”

he says to me.

I examine the Cornucopia and see what he means. “The tail points toward twelve o'clock,”

I say.

“Right, so this is the top of our clock,” he says, and quickly scratches the numbers one through twelve around the clock face. “Twelve to one is the lightning zone.” He writes lightning in tiny print in the corresponding wedge, then works clockwise adding blood, fog, and monkeys in the following sections.

“And ten to eleven is the wave,” I say. He adds it. Finnick and Johanna join us at this point, armed to the teeth with tridents, axes, and knives.

“Did you notice anything unusual in the others?” I ask Johanna and Beetee, since they might have seen something we didn't. But all they've seen is a lot of blood. “I guess they could hold anything.”

“I'm going to mark the ones where we know the Gamemakers' weapon follows us out past the jungle, so we'll stay clear of those,” says Peeta, drawing diagonal lines on the fog and wave beaches. Then he sits back. “Well, it's a lot more than we knew this morning, anyway.”

We all nod in agreement, and that's when I notice it. The silence. Our canary has stopped singing.

I don't wait. I load an arrow as I twist and get a glimpse of a dripping-wet Gloss letting Wiress slide to the ground, her throat slit open in a bright red smile. The point of my arrow disappears into his right temple, and in the instant it takes to reload, Johanna has buried an ax blade in Cashmere's chest. Finnick knocks away a spear Brutus throws at Peeta and takes Enobaria's knife in his thigh. If there wasn't a Cornucopia to duck behind, they'd be dead, both of the tributes from District 2. I spring forward in pursuit. Boom! Boom! Boom! The cannon confirms there's no way to help Wiress, no need to finish off Gloss or Cashmere. My allies and I are rounding the horn, starting to give chase to Brutus and Enobaria, who are sprinting down a sand strip toward the jungle.

Suddenly the ground jerks beneath my feet and I'm flung on my side in the sand. The circle of land that holds the Cornucopia starts spinning fast, really fast, and I can see the jungle going by in a blur. I feel the centrifugal force pulling me toward the water and dig my hands and feet into the sand, trying to get some purchase on the unstable ground. Between the flying sand and the dizziness, I have to squeeze my eyes shut. There is literally nothing I can do but hold on until, with no deceleration, we slam to a stop.

Coughing and queasy, I sit up slowly to find my companions in the same condition.

Finnick, Johanna, and Peeta have hung on. The three dead bodies have been tossed out into the seawater.

The whole thing, from missing Wiress's song to now, can't have taken more than a minute or two. We sit there panting, scraping the sand out of our mouths.

“Where's Volts?” says Johanna. We're on our feet. One wobbly circle of the Cornucopia confirms he's gone. Finnick spots him about twenty yards out in the water, barely keeping afloat, and swims out to haul him in.

That's when I remember the wire and how important it was to him. I look frantically around. Where is it? Where is it? And then I see it, still clutched in Wiress's hands, far out in the water. My stomach contracts at the thought of what I must do next. “Cover me,” I say to the others. I toss aside my weapons and race down the strip closest to her body. Without slowing down, I dive into the water and start for her. Out of the corner of my eye, I can see the hovercraft appearing over us, the claw starting to descend to take her away. But I don't stop. I just keep swimming as hard as I can and end up slamming into her body. I come up gasping, trying to avoid swallowing the bloodstained water that spreads out from the open wound in her neck. She's floating on her back, borne up by her belt and death, staring into that relentless sun. As I tread water, I have to wrench the coil of wire from her fingers, because her final grip on it is so tight. There's nothing I can do then but close her eyelids, whisper good-bye, and swim away. By the time I swing the coil up onto the sand and pull myself from the water, her body's gone. But I can still taste her blood mingled with the sea salt.

I walk back to the Cornucopia. Finnick's gotten Beetee back alive, although a little waterlogged, sitting up and snorting out water. He had the good sense to hang on to his glasses, so at least he can see. I place the reel of wire on his lap. It's sparkling clean, no blood left at all. He unravels a piece of the wire and runs it through his fingers. For the first time I see it, and it's unlike any wire I know. A pale golden color and as fine as a piece of hair. I wonder how long it is. There must be miles of the stuff to fill the large spool. But I don't ask, because I know he's thinking of Wiress.

I look at the others' sober faces. Now Finnick, Johanna, and Beetee have all lost their district partners. I cross to Peeta and wrap my arms around him, and for a while we all stay silent.

“Let's get off this stinking island,” Johanna says finally. There's only the matter of our weapons now, which we've largely retained. Fortunately the vines here are strong and the spile and tube of medicine wrapped in the parachute are still secured to my belt. Finnick strips off his undershirt and ties it around the wound Enobaria's knife made in his thigh; it's not deep. Beetee thinks he can walk now, if we go slowly, so I help him up. We decide to head to the beach at twelve o'clock. That should provide hours of calm and keep us clear of any poisonous residue. And then Peeta, Johanna, and Finnick head off in three different directions.

“Twelve o'clock, right?” says Peeta. “The tail points at twelve.”

“Before they spun us,” says Finnick. “I was judging by the sun.”

“The sun only tells you it's going on four, Finnick,” I say.

“I think Katniss's point is, knowing the time doesn't mean you necessarily know where four is on the clock. You might have a general idea of the direction. Unless you consider that they may have shifted the outer ring of jungle as well,” says Beetee.

No, Katniss's point was a lot more basic than that. Beetee's articulated a theory far beyond my comment on the sun. But I just nod my head like I've been on the same page all along.

“Yes, so any one of these paths could lead to twelve o'clock,” I say.

We circle around the Cornucopia, scrutinizing the jungle. It has a baffling uniformity. I remember the tall tree that took the first lightning strike at twelve o'clock, but every sector has a similar tree. Johanna thinks to follow Enobaria's and Brutus's tracks, but they have been blown or washed away. There's no way to tell where anything is. “I should have never mentioned the clock,” I say bitterly. “Now they've taken that advantage away as well.”

“Only temporarily,” says Beetee. “At ten, we'll see the wave again and be back on track.”

“Yes, they can't redesign the whole arena,” says Peeta.

“It doesn't matter,” says Johanna impatiently. “You had to tell us or we never would have moved our camp in the first place, brainless.” Ironically, her logical, if demeaning, reply is the only one that comforts me. Yes, I had to tell them to get them to move. “Come on, I need water. Anyone have a good gut feeling?”

We randomly choose a path and take it, having no idea what number we're headed for.

When we reach the jungle, we peer into it, trying to decipher what may be waiting inside.

“Well, it must be monkey hour. And I don't see any of them in there,” says Peeta. “I'm going to try to tap a tree.”

“No, it's my turn,” says Finnick.

“I'll at least watch your back,” Peeta says.

“Katniss can do that,” says Johanna. “We need you to make another map. The other washed away.” She yanks a large leaf off a tree and hands it to him.

For a moment, I'm suspicious they're trying to divide and kill us. But it doesn't make sense. I'll have the advantage on Finnick if he's dealing with the tree and Peeta's much bigger than Johanna. So I follow Finnick about fifteen yards into the jungle, where he finds a good tree and starts stabbing to make a hole with his knife.

As I stand there, weapons ready, I can't lose the uneasy feeling that something is going on and that it has to do with Peeta. I retrace our steps, starting from the moment the gong rang out, searching for the source of my discomfort. Finnick towing Peeta in off his metal plate.

Finnick reviving Peeta after the force field stopped his heart. Mags running into the fog so that Finnick could carry Peeta. The morphling hurling herself in front of him to block the monkey's attack. The fight with the Careers was so quick, but didn't Finnick block Brutus's spear from hitting Peeta even though it meant taking Enobaria's knife in his leg? And even now Johanna has him drawing a map on a leaf rather than risking the jungle...

There is no question about it. For reasons completely unfathomable to me, some of the other victors are trying to keep him alive, even if it means sacrificing themselves.

I'm dumbfounded. For one thing, that's my job. For another, it doesn't make sense. Only one of us can get out. So why have they chosen Peeta to protect? What has Haymitch possibly said to them, what has he bargained with to make them put Peeta's life above their own?

I know my own reasons for keeping Peeta alive. He's my friend, and this is my way to defy the Capitol, to subvert its terrible Games. But if I had no real ties to him, what would make me want to save him, to choose him over myself? Certainly he is brave, but we have all been brave enough to survive a Games. There is that quality of goodness that's hard to overlook, but still ... and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd—no, a country—to his side with the turn of a simple sentence.

I remember thinking that was the gift the leader of our revolution should have. Has Haymitch convinced the others of this? That Peeta's tongue would have far greater power against the Capitol than any physical strength the rest of us could claim? I don't know. It still seems like a really long leap for some of the tributes. I mean, we're talking about Johanna Mason here. But what other explanation can there be for their decided efforts to keep him alive?

“Katniss, got that spile?” Finnick asks, snapping me back to reality. I cut the vine that ties the spile to my belt and hold the metal tube out to him.

That's when I hear the scream. So full of fear and pain it ices my blood. And so familiar. I drop the spile, forget where I am or what lies ahead, only know I must reach her, protect her.

I run wildly in the direction of the voice, heedless of danger, ripping through vines and branches, through anything that keeps me from reaching her.

From reaching my little sister.

Categories: Catching Fire